An animated version of the epic Indian tale of Ramayana set to the 1920s jazz vocals of Annette Hanshaw.
Sita Sings the Blues 2008 | Animated Movie by Nina Paley | Indian Epic Ramayana
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Sita is a goddess separated from her beloved Lord and husband Rama. Nina is an animator whose husband moves to India, then dumps her by email. Three hilarious shadow puppets narrate both ancient tragedy and modern comedy in this beautifully animated interpretation of the Indian epic Ramayana. Set to the 1920’s jazz vocals of Annette Hanshaw, Sita Sings the Blues earns its tagline as “the Greatest Break-Up Story Ever Told.”
Sita Sings the Blues is a 2008 animated film written, directed, produced and animated entirely by American artist Nina Paley (with the exception of some fight animation by Jake Friedman in the “Battle of Lanka” scene), primarily using 2D computer graphics and Flash Animation.
It intersperses events from the Ramayana, light-hearted but knowledgeable discussion of historical background by a trio of Indian shadow play, musical interludes voiced with tracks by Annette Hanshaw and scenes from the artist’s own life. The ancient mythological and modern biographical plot are parallel tales, sharing numerous themes.
Plot
I- The Ramayana Parts
The film uses a pared-down adaptation of the legend that retains many of its finer details while adopting a perspective sympathetic towards Sita; in the director’s words, the film is “a tale of truth, justice and a woman’s cry for equal treatment.”
The plot joins the legend at the exile of prince Rama from his father’s court, at the behest of his father’s favorite queen, Kaikeyi. Having earned the right to any single favor by saving the king’s life, Kaikeyi attempts to secure her own son’s inheritance over the eldest and favorite, Rama, by ordering him banished from the court. Sita, Rama’s wife, determines to accompany her beloved husband, although the woods are dangerous and overrun with demons and evil spirits. The demon king Ravana, encouraged by his spiteful ogress sister, hears of Sita’s beauty and determines to kidnap her. He sends a golden hind past their dwelling to distract Rama, who tries to impress Sita by hunting the hind into the woods. In his absence, Ravana abducts Sita and demands that she submit to him on pain of death. Sita remains staunchly devoted to Rama and uses to entertain the idea; Ravana sets a deadline for the ultimatum and Sita waits faithfully for Rama to rescue her.
Aided by the monkey prince Hanuman, Rama eventually discovers Sita’s location and brings the monkey army to assist in her rescue. Ravana is slain and Sita restored to her husband, although he expresses serious doubts concerning her fidelity during her confinement. She submits to a trial by fire, a test of her purity; upon throwing herself into the flames, she is immediately rescued by the gods, who all proclaim her devotion and fidelity.
She accompanies Rama back to the palace, and soon falls pregnant. Lingering doubts still play on Rama’s mind, however, and after overhearing one of his subjects beating and ejecting an unfaithful consort (claiming he is no Rama to accept and forgive her unfaithfulness), he orders his reluctant brother Lakshman to abandon Sita in the forest. In the company of ascetics she gives birth to her sons and raises them to love and praise their absent father. Years later, Rama overhears their hymns of adoration to their father and locates their dwelling. Distressed and disappointed by Rama’s continuing doubt on her purity during her reunion with Rama, Sita prays to the earth to swallow her as final proof of her purity and devotion and the prayer is duly answered, despite the pleas of Rama and Lakshman.
II- Contemporary Parallel Parts
In an episode taken from the director’s own life,< name=”Press”/> animator Nina Paley starts the film living happily in a San Francisco apartment with her husband and cat. Her husband then accepts the offer of a six-month contract working in Trivandrum, India, and moves there alone to take up the position. After a month of no contact, he calls to inform his wife that the contract has been extended another year.
Bewildered by his callous indifference to their separation, Nina sublets their apartment, leaves their beloved cat behind and joins her husband in India. Upon her arrival he appears deeply unenthusiastic to be reunited and demonstrates neither affection nor sexual interest. A while later, Nina flies to a meeting in New York, where she receives a brief e-mail from her husband telling her that their relationship is over. Sad and alone, she stays in New York, finding comfort in a new cat and her study of the Ramayana.
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