The Blood of Jesus 1941
The Blood of Jesus or The Glory Road 1941 | American race film written, directed, and starring Spencer Williams

An atheist accidentally shoots his Baptist wife. She dies and goes to a crossroads, where the devil tries to lead her astray.

 

The Blood of Jesus or The Glory Road 1941 | American race film written, directed, and starring Spencer Williams

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Movie Info

The Blood of Jesus (1941) is a classic example of the “race film” genre of films by African-American directors and casts, geared exclusively for an African-American audience. This film, written and directed by Spencer William Jr. of the TV show Amos & Andy Show (who also played Razz Williams in the film), is a morality tale about a woman (Cathryn Caviness) who is accidentally shot to death by her husband. Facing death, she must choose between Hell, represented as urban life, and Zion, represented as pastoral America, and between Satan and God. The climax comes when she makes her decision at the foot of the cross and wakes up to the singing of her church choir. Intended to promote a Black Southern Baptist ideal of a virtuous rural life, the film was a major success and the most popular hit in its genre. See Also, IMDB Entry The film has also been selected for preservation in the United States National Film Registry.

The Blood of Jesus is a 1941 American race film written, directed, and starring Spencer Williams (actor). It was also released under the alternate title of The Glory Road.

Plot

In a small rural village with an African American population, a Church service group is holding a riverside baptismal service, and one of the faithful being immersed is the recently married Martha (Cathryn Caviness). However, Martha’s husband Ras (Spencer Williams (actor)) is absent from the service – he claims he was hunting, but he actually poached a neighbor’s boar. At home, Ras accidentally shoots Martha when his rifle drops on the floor and discharges. The church congregation gathers at Martha’s bedside to pray for her recovery, and during this period an angel (Rogenia Goldthwaite) arrives to take Martha’s spirit from her body. She is brought to the Crossroads between Heaven and Hell, and initially she is tempted by the slick Judas Green (Frank H. McClennan), who is an agent for Satan (James B. Jones). Judas takes Martha to a nightclub, where the floor show includes an acrobat and a jazz singer. Judas arranges to have Martha employed by the roadhouse owner Rufus Brown, but the angel returns and advises Martha to flee. As she is escaping, a nightclub patron mistakenly believes Martha is a pickpocket who robbed him. A chase ensues and Martha races back to the Crossroads, where Satan (along with a jazz band on a flatbed truck) is waiting for her arrival. The angel appears to protect Martha from the mob, who are driven away. The sign at the Crossroad is transformed into the vision of Jesus Christ being crucified, and Christ’s blood drips down on Martha’s face. She awakens to discover she is home and her health is restored. Martha is reunited with her husband, who has now embraced religion. The angel who took Martha on her journey returns to bless the marriage. In 1991, The Blood of Jesus became the first race film to be added to the U.S. National Film Registry.

 

 

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